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When I'm Sixty-Four  Michael Kennedy

  Putting it Back Together  Ines Papert
  Laurel Knob  John Sterling 

 

When I'm Sixty-Four  Michael Kennedy

Thank God Hayden is leading. We’re on the 17th pitch of the day, the sun is about to kiss the horizon, and I’m beat. Big Sandy is just out of sight and I sure don’t want to sleep here.

My mind drifts back two-and-a-half years to Castleton Tower, the first big multi-pitch climb we do together. I’m terrified cleaning a 5.8 pitch he’d led, grateful he didn’t fall on a couple of the sketchy cams he’d placed. Of course, I’m the one who whips a little later on Kor’s offwidth, thankfully onto a beefy replacement for the original Star Drive. He struggles a bit on a top rope and admits the pitch is “a little tough.” I’m still a nervous wreck on top, worried about the rappels, but Hayden takes it all in stride. “What’s the big deal, Dad?”

Now we’re on Half Dome and I wish I could say the same to him. I’m way more timid than he is on the lead, and except for a few pointers on rope management I’m no longer able to offer much advice. He’d just as soon French-free past the aid sections—etriers take too long—and I gladly let him do the bulk of the leading. He flies up the rest of the pitch, fixes the rope, and hauls the bag. I flop onto the ledge with only a few minutes of dusk left, and congratulate Hayden for arriving at his first big wall bivouac with light to spare.

The next morning we’re up early. It’s my lead, a good old-fashioned A1 pitch. Halfway up I place my first-ever cam hook, then a bomber stopper, then another cam hook. These things work pretty well, so I cram another one into the flaring crack and step up. Ping! I’m off on a 20-footer. “What are you doing, Dad?”

This is getting embarrassing. I use another nut to pass the cam hook section, get to the stance, and make Hayden lead the rest of the route, except for the Thank God Ledge pitch, which I somehow whimper across. The 5.8 offwidth at the end of the traverse feels like 5.11 and I’m gratified to see him labor ever so slightly seconding it. A couple of pitches later we’re basking in the afternoon sun amidst the hikers.

Hours later it’s way past dark and my creaky old knees have just about had it. A headlamp bobs up the trail. “Can I take your pack, Dad?” Hayden has run on ahead, dropped his load, and come back to help the old man. We stumble down the last mile of the trail to the Valley floor together. It’s pretty obvious who’s the teacher now.

Michael Kennedy

Michael Kennedy worked as editor and publisher of Climbing magazine for 24 years while pursuing a Masters in Alpine Climbing at the University of Alaska (with stints in the classrooms of Patagonia, Nepal, India and Pakistan). After retiring a few trips short of a degree, he switched to Recreational Studies (the art of being a climbing, skiing and paddling bum). He hopes to complete his course work at City of Rocks University, Tuolumne Meadows College and various affiliate campuses within the next decade.

 

Putting it Back Together  Ines Papert

Long, hard routes in the dolomites are like giant jigsaw puzzles. The trick is staying motivated and focused enough to put all the pieces together. At 8 a.m. we started the first pitch. Nothing like a really cold start on 7b+ (5.12c). Except for some slight apprehension, everything went smoothly. Wasti reached the belay and dealt with the rucksack. There wasn’t enough room to get comfortable so I tried to climb the next 7c+ endurance pitch quickly, plus I was anxious to get to the 8b crux pitch that was waiting for me above.

Thankfully, the whole time I heard motivating shouts from Rainer (above me with his camera) and Wasti (from the belay below). I got one almost non-existing undercling, then a Gaston and felt myself starting to fall. Intuitively I stabbed for a two-finger hold, stabilized my body then snatched a good flake and kept going… because it was still rather early to celebrate. With the crux behind me it seemed like there was all of a sudden more to lose. The initial tension, which was making me so nervous, was now way gone. What was left was full concentration and absolute focus on the pitches still ahead.

The next pitch was very demanding and technical 8a, on not totally solid rock. But this and the following 7a I led without any major problems. I was only clipping every second bolt trying not to use up precious energy. I only clipped what was absolutely necessary and that for sure didn’t include any of the downward slanting, ancient pitons you find in the Dolomites.

The last hard pitch was the most difficult for me. A seemingly giant, 8a+ roof with 200 m of thin air underneath my back. I was completely focusing on the roof itself as I climbed towards it. Out of the blue, I found myself hanging on the rope a few meters lower. A foothold had broken off. Wasti lowered me down to the last belay. I immediately started again.

The roof took all of my remaining energy and tested my will to hang on and fight till I had nothing left. I wanted badly to make it, and I did. With the help of a heel hook I pulled myself around the lip, snatched a side hold and a sloper and started to lever up. I was almost stable when I started to pitch off backwards but was able to reach a jug which I grabbed like I would never ever let go of it. “DONE!”… I was shouting for joy.

Now came a few easy broken pitches till we gained the NE ridge (Spigolo Dibona). This was the end of the actual route, but we decided to climb farther, as it was only early afternoon. At 6 p.m. we were finally standing at the top of the Cima Grande and fully rejoicing over our successful repetition of one unbelievably beautiful and spectacular route.

Ines Papert

Ines Papert knows a thing or two about putting broken things back together. After a devastating fall on the South Face of the Marmolada in 2005, she put her own pieces back together and made this dream come true. When not pushing her limits on the rock, Ines is considered one of the top ice climbers in the world. Raising her son Manu has proven to be her greatest challenge to date.

 

Laurel Knob  

Emerging from a native hardwood forest in the mountains of North Carolina is a special piece of rock called Laurel Knob. It’s a chunk of granite, 1200 feet tall that, stripped of its surrounding deciduous trees, would look right at home among the domes of Tuolumne Meadows. It is the tallest crag east of the Mississippi, and for 30 years has attracted climbers drawn to the unusual water grooves that streak the face of the escarpment.

A mini-guide produced by Carolina Climbers Coalition describes routes from 5.8 to 5.11b (and a 5.11bX for those who like a bit more spice.) Nearly every route refers to climbing grooves, stepping over grooves, traversing grooves, or just plain groovin’, in reference to the rock’s most prominent features.

For much of the past 30 years, willingness to trespass has been an important skill for Laurel Knob climbers. The rock and 50 acres of forest at its base are in private hands. With the nearby mountain communities of Western North Carolina booming as they attract retirees and second-home owners, volunteers with the Carolina Climbers Coalition (CCC) recognized a train wreck on the horizon. How long before someone used Laurel Knob as the backdrop for a trophy home? And what are the chances that person would invite a steady stream of dirtbags to play on his backyard cliff?

In 2005, CCC volunteer John Myers approached the property’s owner about selling Laurel Knob. Myers surely braced himself for an unrealistic asking price, or a flat rejection. But the stars aligned for Myers and the CCC. The owner needed cash, and said he’d accept $250,000 for Laurel Knob and the 50-acre forest at its base.

The CCC cobbled together enough funding for a down payment, and has set about raising the remaining amount due to complete the purchase. By the time you read this, ownership of Laurel Knob will likely rest safely in the hands of climbers.

But, the work is not done. With ownership comes responsibility. CCC is working on a land and climbing management plan for Laurel Knob. The group is committed to protecting the ecological values of the land, while providing access to a unique climbing experience. Managing Laurel Knob will demand time and money from CCC, and they welcome your support.

The Laurel Knob story is a happy one because a group of local people took action to save a place significant for its climbing opportunities and ecological values. As climbers, we all have an impact on the natural landscapes where we climb. It’s important that we give something back.

John Sterling

John Sterling is a climber and Executive Director of The Conservation Alliance , which contributed $30,000 to the Laurel Knob acquisition. Get Busy: Support the purchase of Laurel Knob by the Carolina Climber’s Coalition and see a mini-guide of the area at their website. Black Diamond is proud to support access for climbers and the protection of climbing areas.

 

 

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